Tuesday, November 8, 2016

Notes from A Jewish Exploration of LGBT Musicals Part 2

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Session 2, November 8, 2016, Election Night

Exercise: First, we'll think about the election and then we'll get away from it. Think of the first election you can remember and write about it in present tense:
Sealing envelopes for McGovern mailings in a dark room in his Stamford headquarters. It might have been the first volunteer work I ever did.
How do you begin to fictionalize a true story, asked Jonathan, and how do you create an entryway for the audience?

Exercise: Look at young Alison from "Fun Home". Describe her.

We called out: playful, precocious, inquisitive, tomboy, verbal, aware, observant, older sister, wants her dad's attention.

Now, describe images you remember from the play that are associated with her.

We called out: ring of keys, lace-up boots/short hair, coffin, airplane, barrette, dress, piano with Mom, sketch book, objects of living room, Tall Ships.

These images are more compelling than attributes of the character.

Exercise: Now, choose an age and do the same with yourself; write it down:

Age 11 - flat-chested, tomboy, enthusiastic, vulnerable, observant, aroused, active, loyal, tall, anxious, secretive, suntanned from playing outside.

Images associated with that age: white bikini, sunrise from Jennifer's bedroom, Coppertone lotion, Yes concert T-shirt filled out by Jennifer, beach chairs, terracotta roofed home on the water, the Sound, city bus, white-toweled brother with teeth effervescing from 7-UP.

What was hard about doing that exercise, asked Jonathan? The yearning and the pain from the pleasure that, practically immediately, became a feeling of shame in my case; I recognized, viscerally, that I was attracted to my early-developing, curvy friend and not to her gorgeous older brother.

In groups of three, share what you wrote with one another. And then in plenary, everyone, just share one image from your group of images: bicycle ... seeded jam in a sandwich ... locker room ... white bikini ....

The archival work of your own life maybe requires memoir-ing an image, suggested Jonathan to all of us.

Video clip #1: We watched an interview of the "Fun Home" composer and playwright on how they arrived at an opening number for the play. When the lights went down in the downstairs chapel, where the class was held, the ner tamid (eternal light) and current yahrzeit (death anniversary) memorial lights remained on. Last week, I didn't notice the yahrzeit lights. This year, my dad's (z"l) Hebrew yahrzeit is on November 11th. I hope the light comes on and stays on through our next session next Tuesday.

Video clip #2: We watched the lyrics for the opening number, "It All Comes Back"and I thought about how my older sisters, not my dad (z"l), used to give me our version of "Airplane", which we called g'yupapah. When I was little, I loved for my dad (z"l) to carry me from the back of the station wagon in the garage up to my room; I'd pretend to be asleep, so that he'd carry me.

Written in front of the TV while watching election results:

From the opening song's lyrics:

"My dad [z"l] and I were exactly alike." [Our appetites, our stature ....]
"My dad [z"l] and I were nothing alike." [I eat healthy food. I've been employed by the same company for more than two decades so far.]

The play, "Fun Home", reminded me of my own life, since the main character lost her dad too early and since she was also a tomboy as a kid and an active lesbian by college. At least three of my classmates, one man and two women, are parents themselves, so perhaps they can relate both to the parents and the kid. We have two more sessions on "Fun Home" before we switch to studying "Falsettos".

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